Markings were used so that aircraft could
be identified. Just like camouflage, the subject of Luftwaffe airplane markings
is complex and rather confusing. When one observes markings used on German
aircraft, one is immediately struck by the number of variations from 1935 to
1945. This section merely gives a general outline of markings intended to be
applied.
National
markings
From 1933 to 1935, Germany did not
officially possess an air force, but the nazification of the civilian airfleet
was evident by a replica of the Nazi flag painted on both sides of aircraft
fins. This consisted of a bright red band with a white circle in which there
was a black Hakenkreuz (swastika), very often standing on one point to
emphasize an impression of dynamism and movement. In early 1936, a series of
changes came into force. These included the application of the Balkenkreuz
(national cross), a Greek cross with four arms of equal length. This was black
with white outline similar to that used on German tanks. The Balkenkreuz was placed
on both sides of an aircraft's fuselage at midpoint between the wing and tail
units. It was also painted on the wings, both on upper and undersurface. This
emphasized the importance of identifying friend and foe in a campaign where
close cooperation between ground-attack aircraft and dive bombers and the
assaulting armored forces was a fundamental feature of the Blitzkrieg.
The aircraft of the German Legion Condor
that took part in the Spanish Civil War were repainted, as Germany was not
officially at war against the Spanish Republic. Instead of Balkenkreuz and
Hakenkreuz, they carried a white Andrea's cross in a black circle on both sides
of the fuselage, while fins and rudders had a black Andrea's cross on a white
background. The conspicuous red/white/black swastika painted on fins and
rudders was discarded and replaced in late 1938 by a simple black swastika,
often with a thin white outline. In the case of ambulance airplanes, the black
and white Balkenkreuz was replaced by a red cross on a circular white
background. Later in the war, there were several variations on the Balkenkreuz
theme. For camouflage purposes, the cross was often merely outlined in white or
black with the center left in the basic color.
Tactical
markings
Tactical markings enabled a unit commander
to quickly call up one of his aircraft by radio and pick it out more easily
above the battlefield. Before the official creation of the Luftwaffe in 1935,
German airplanes had no tactical markings but a civilian registration,
generally a letter D for Deutschand (Germany) and a sequence of three of four
letters. After 1935 identification marks were introduced, consisting of a
combination of three letters and an Arabic numeral applied on the fuselage, in
conjunction with the Balkenkreuz, the cross dividing the four symbols. These
codes were painted in such as way that they would be readable if the aircraft
was passing over the observer from front to back. These markings represented
the plane's Geschwader, Gruppe and Staffel. The expansion of the German air
force in the years preceding the war required some administrative changes, particularly
when the Luftflotten (air fleets) were created in 1939. Single-engine fighter
units had their own marking system, showing unit and tactical seniority. These
used chevrons to indicate the rank of the pilot; bars, points or cross to
indicate the Gruppe; a numeral showing the Geschwader to which the Gruppe
belonged; and sometimes a horizontal black line ran entirely around the
fuselage indicating a staff pilot. A Geschwader commander, for example, was
indicated by two chevrons and a vertical bar; a Gruppe commander by two chevrons;
a Gruppe technical officer by a chevron and a small circle. Colors were also
applied to indicate the Geschwader; they were also designated by their
abbreviation followed by an Arabic numeral: e. g. KG 77, NJG 26, ZG 110.
Staffeln in the Geschwader were numbered consecutively in Arabic numerals; the
first, second, and third Staffeln constituted Gruppe I; the fourth, fifth and
sixth Staffeln, Gruppe II; and the seventh, eighth and ninth Staffeln, Gruppe
III. Where a fourth or fifth Gruppe existed, the Staffeln were numbered 10, 11,
and 13 or 13, 14 and 15 respectively. In unit designations, the Gruppe numeral
was omitted whenever the Staffel number was displayed. Thus the fourth Staffel
of Kampfgeschwader 77 was known as 4/KG 77 and no other reference to its
position in Gruppe II of KG 77 was necessary. Gruppen attached to a Geschwader
were numbered in Roman numerals; thus I/KG 77 and II/KG 77 were the first and
second Gruppen of the medium-range bomber Geschwader 77.
Training aircraft were indicated by letter
S for Schule (school), a numeral indicating Luftkreis, a letter identifying the
school, and the aircraft's registration numeral within the school. There were,
however, many exceptions to the rules, and systems were partially changed,
becoming complicated. As World War II progressed, the application of the rules
became somewhat more lax, and interpretation at the unit level varied widely
from front to front and year to year, resulting in a complex and confusing
"system" without uniformity, markings being omitted, some obscure or
rarely seen, others added or placed in unofficial positions. Geschwader
designations could then consist of three digits, and a system of colors was
introduced to indicate Staffeln and Gruppen. There were many variations on the
theme, some being in solid or outlined form, or red, yellow, white or black
according to the plane background color. In 1941, colored tail bands were added
according to theater of operation, and often wingtips and cowling were painted
in the same color. In mid-1944, a more complicated system of colored tail bands
was introduced for fighter units in the defense of the Reich, adding to the
confusing situation already existing. At unit level, however, the tendency was
toward smaller and less conspicuous application of the tactical numbers, and in
many cases they were simply omitted.
Next to each of the airplane's filler
points, there was a small yellow triangle pointing upward, bearing indications
referring to the octane rating of the fuel. Luftwaffe vehicles were marked with
an identification plate bearing the prefix WL (Wehrmacht Luftwaffe).
Unit
and individual emblems
Individual pilots and those belonging to an
established unit had "honor titles," crests and emblems. This
practice, started by prominent flyers and units of World War I, such as the
famous "Red Baron," Manfred von Richthofen, was revived in the
Luftwaffe, and awarded, for example, to fighter JG 132. The fighter Geschwader
JG 26 was titled Leo Schlageter, after a Nazi activist, an early "martyr"
of the cause shot down by the French in 1923. Another example is JG 134, which
was named Horst Wessel after the Nazi Party's gutter poet, and distinguished by
its brown, the color of the early Nazi and Sturm Abteilung (SA, Storm Trooper)
uniforms.
Insignia were of great variety. Directly
inspired by classical heraldry, they represented the arms of the city or cities
with which the pilot or units were associated, or were individual devices with
geometrical forms including colored triangles and diamonds. Pseudoheraldic
signs such as birds (eagle, owl and raven), and other animals (shark, lion,
cat, horse, fox, unicorn, even Walt Disney's Mickey Mouse) were frequently
used. Some crests were obviously directed at a particular target. Example of
this type were the cliffs of Dover, an axe cleaving John Bull's hat, or a dog
performing on a puddle-shaped map of England. Numerous other examples were
observed, using various aggressive combinations and martial themes, for
example, lightning, a falling bomb, a flying devil, and Death with its scythe.
The shark's mouth insignia with menacing teeth was also used; it displayed unit
heraldry, suggesting personal flamboyance and enhancement of aggressive spirit.
It was painted, for example, on Messerschmitt Bf 109C of 2/JG 71, Junkers Ju 87
B-1 Stuka of 2/StG 77, Messerschmitt Bf 110 C of II/ZG 76 (Haifisch Gruppe) and
even on Gotha Go 242 gliders. Individual, personal or unit good-luck symbols
were sometimes used. Crests, insignia and emblems were usually placed on both
sides of the cowling near the cockpit or on the aircraft's nose. The kill tally
was proudly exhibited in the form of small stars or bars, generally painted on
the aircraft rudder. Art and decoration painted on aircraft in the form of
pin-ups, fictional or cartoon heroes, lucky or aggressive symbols, animals, and
patriotic motifs were often disapproved or frowned upon by military
authorities, but they were often tolerated as they benefited morale, expressed
individual pride, offered relief from uniform military anonymity, comforted by
recalling home, and were believed to work as fetishes against enemy action.
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